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A bouncy little screwball romance, "Miss Pettigrew" is a fizzy
cocktail of a movie, set in Depression-era London, where the beautiful people
dance away in fabulous fashions and decadent distraction. Frances McDormand is
the dowdy Guinevere Pettigrew, a buttoned-down yet free-thinking governess whose
unorthodox ways have landed her on the bread lines and, in a desperate act of
reference-poaching, in the employ of a dizzy American chanteuse (the
irrepressibly seductive Amy Adams) who is sleeping her way to showbiz success.
As the title suggests, it's one day of crazy shenanigans, where characters play
the game in make-believe identity makeovers while choosing between ambition and
love. The impending clouds of World War II give that decision more gravity than
it might otherwise have. Director Bharat Nalluri never quite captures the
delirious screwball abandon of his inspirations -- it's more nostalgic
recall than effortless revival -- but it's spirited enough to carry you
away with it. The bubbly, sexy, impulsive energy of Adams picks up the film
whenever the pace drags, and the marvelous chemistry between McDormand and
Ciaran Hinds, who plays a fashion designer with bemused dignity and warm
generosity, offers a mature counterpart to the flighty sex comedy. And if that's
not enough, the fantasy of decadent hideaways and delirious nightlife
playgrounds makes for an irresistible high-society Neverland for adults where
true love still finds a way. The commentary by Nalluri is all fairly cool
and calm, more observational than introspective or revelatory, and you won't
hear any juicy stories from the set. More interesting to anyone swept away by
the fabulousness of the film's high-society world is the 18-minute "Making an
Unforgettable Day," which takes you into the creation of the grand apartments
and lavish clubs, the parties, the fashions, the music, the whole glamorous
culture of the rich and oblivious. "Miss Pettigrew's Long Trip to Hollywood"
explores the novel's origins and curious history (it was actually optioned by
Hollywood in 1941, a project put on hold after Pearl Harbor). Also features more
than eight minutes of deleted and alternate scenes, including an alternate
opening scene.
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| Street Kings |
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Keanu Reeves is a brutal bulldog of a Los Angeles cop who is set
loose on high-profile cases by a glory-hound commander (Forest Whitaker), a
ruthlessly ambitious player who devours the media attention and rides the
success to promotion. With the pedigree carried by this drama of corruption and
cover-ups in the Los Angeles police force -- Oscar winner Whitaker, author
James Ellroy, director David Ayer ("Harsh Times") -- you'd expect a much
more interesting and gripping cop drama than the clumsy film at hand. Reeves'
impenetrable expressions give him an effective dead-eyed, soul-crushed quality,
but Whitaker is pure theatrical overkill, and Chris Evans (as Whitaker's pet
assistant DA) is an eager puppy playing tough with the big dogs. Ellroy gets
story credit and prominent screenwriting billing, but the script is awkward, the
plot strains credulity, and the direction is terminally overwrought and
undercooked. Hugh Laurie co-stars. Available as a single disc or two-disc set,
both packed with supplements: commentary by Ayer, deleted and alternate scenes,
and plenty of featurettes (including one on Ellroy) and vignettes. The Blu-ray
edition features the exclusive picture-in-picture "Under Surveillance: Inside
the World of Street Kings" track, which pops up with factoids, interviews and
behind-the-scenes footage. Both the two-disc and Blu-Ray editions feature a
bonus digital copy that can be downloaded to PC, iPod or other compatible
players.
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| Prom Night |
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The 1980 slasher movie that confirmed Jamie Lee Curtis as her
generation's scream queen is reworked as a high school horror flick starring
Brittany Snow as a senior stalked by an obsessed psychopath (Johnathon Schaech).
He murdered her entire family years before and now he's back to hack up a few
teenagers during her senior prom. The director and writer have "made an obvious
effort to avoid (or at least revise) many clichés and conventions associated
with thrillers of that sort," writes Variety critic Joe Leydon, who calls it "a
surprisingly effective teen-skewing thriller that soft-pedals graphic violence
(in marked contrast to the R-rated 1980 original) while generating a fair degree
of suspense." Idris Elba and Ming-Na co-star. Available in PG-13 and unrated
versions, both with commentary by director Nelson McCormick and stars Snow and
Schaech, four featurettes, deleted scenes (with optional commentary) and an
alternate ending. Also available in Blu-ray, which features the (barely) longer
unrated version plus an optional picture-in-picture storyboard track.
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| The Scorpion King 2: Rise of a Warrior |
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Russell Mulcahy, who established his cult action movie
credentials with "Highlander," directs this made-for-DVD sequel to the "Mummy"
movies spin-off. Where the original "Scorpion King" had The Rock, this version
turns to UFC champion Randy Couture, a mixed martial arts fighter turned actor,
to fill out the role of a muscle-bound despot who rules a Sparta-like kingdom in
the time of the pharaohs. Michael Copon is the young warrior who battles a
Minotaur and treks to the underworld to recover the Sword of Damocles on his
mission of vengeance against the wicked monarch. This low-budget adventure
freely mixes and matches its myths, legends and historical references (to the
best of my memory, the Sword of Damocles was neither imbued with supernatural
powers nor hidden in the underworld). Some of the effects are a little cheesy,
and the fight scenes tend to go on a little too long, as if vamping to draw out
the running time, but it does the job and is destined for endless reruns on USA
and the Sci-Fi Channel. Includes deleted scenes and two brief featurettes.
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| The Life Before Her Eyes |
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Evan Rachel Wood plays the rebellious teenager who grows into
Uma Thurman, a wife and mother who still reels with guilt 15 years after
surviving a Columbine-like shooting. The second feature by Vadim Perelman
("House of Sand and Fog"), an adaptation of the novel by Laura Kasischke, shifts
back and forth through time to explore the reverberations of the tragedy with
her two lives playing out in parallel 15 years apart. Eva Amurri and Brett
Cullen co-star. Features commentary by director Perelman and production designer
Maia Javan, deleted scenes, an alternate ending, Amurri's audition tape, and
featurettes among the supplements.
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Sean Axmaker is a film critic for the Seattle Post-Intelligencer, a DVD
columnist for MSN Entertainment and a contributing writer for GreenCine.com,
Turner Classic Movies Online, Parallax View and Asian Cult Cinema, among other
publications. Find links to all of this and more on his shamelessly
self-promoting blog.
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Get Smart! Please!In honor of bumbling Maxwell
Smart, a brief history of our favorite clueless detectives On the RocksWith 'Iron Man' and 'Hancock' featuring
heavy-drinking protagonists, we reflect on the most memorable drunks in movie
history UnclassicsThough they may be listed among the
greatest films of all time, these 10 movies deserve to be
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